Get Real Documentary Theatre Past And Present

Contents Acknowledgements Notes On Contributors Introduction; A.forsyth & C.megson The Promise Of Documentary; J.reinelt Mediating The 1930s: Documentary And Politics In Theatre Unions Last Edition (1940); B.harker History In The Driving Seat: Unity Theatre And The Embrace Of The 'real'; C.chambers The Documentary Body: Theatre Workshop To Banner Theatre; A.filewod Living Simulations: The Use Of Media In Documentary In The Uk, Lebanon, And Israel; C.martin Looking For Esrafil: Witnessing 'refugitive' Bodies In Ive Got Something To Show You; A.jeffers Remembering The Past, 'growing Ourselves A Future': Community-based Documentary Theatre In The East Palo Alto Project; L.smith Ngapartji Ngapartji: Telling Aboriginal Australian Stories; M.casey Performing Trauma: Race Riots And Beyond In The Work Of Anna Deavere Smith; A.forsyth History, Memory And Trauma In The Documentary Plays Of Emily Mann; A.favorini When Heroes Fall: Doug Wrights I Am My Own Wife And The Challenge To Truth; N.p.highberg The Performance Of Truth And Justice In Northern Ireland: The Case Of Bloody Sunday; C-a.upton Half The Picture: 'a Certain Frisson' At The Tricycle Theatre; C.megson Verbatim Theatre In South Africa: 'living History In A Persons Performance'; Y.hutchison The 'broken Tradition' Of Documentary Theatre And Its Continued Powers Of Endurance; D.paget Index